When you think about John Adorney and his music, I’ll bet that evocative guitar solos are not the first that springs to mind. But that is precisely what he has in store for us on his new album, The Garland. He plays more guitar on this album than on any previous albums, but rest assured–it doesn’t change Adorney’s patented sound. And female vocalist Daya is back too. The Garland makes me think of Michael Hedges’ famous quote: “I’m not trying to play the guitar. I’m trying to play music.” It is a statement of how versatile John Adorney really is.

John Adorney is one of the most popular and beloved New Age music artists, and “The Garland” is his 12th solo album. His last effort, Invisible Songbird, was awarded the Best New Age Music Album 2018 award here on New Age Music Guide. Expectations are therefore high when we press play on this new release.

The Garland is, in every way, a welcoming album. The first piece, “An Open Door,” takes us into a warm and positive sphere. Even though the focus this time is on the guitar, the piano and synth keys are right there in the background, providing the soundscape John Adorney is known and loved for. The Rhodes piano and light rhythm sound amazing even before John takes us to guitar heaven. It is one of those songs that make you feel like there is not a worry in the world, and the future holds nothing but opportunities. It is a fabulous album opener!

“Through the Halls of Time“ is a contrast to what we have heard so far. It is a contemplative song, starting with lush synth pads and gentle piano. Then we hear the icy riffs of a Fender Telecaster, which takes the song to new heights. Time is always a fascinating topic, and Adorney gives us some spectacular views of how everything changes in “the halls of time.” It is a slow process, but it is there – like a ticking clock. It is a marvelous piece, reminding us of times gone by.

At this stage, we find ourselves in nature, at the track “Garden and Groves,” and Adorney again plays the melodica. Its sound has a touch of melancholy, backed by guitar, piano, viola and light rhythm. Its simple, folky melody has a laid-back feeling. When “Look Up” comes on next, all of John Adorney’s many fans will feel right at home. His unique style and Daya’s vocal, is as usual, a brilliant mix. The song is delightfully uncomplicated. Don’t be surprised if you find yourself humming along with Daya.